Much of my time spent as a professional artist was producing
product. Mind you, that product was art, paintings, drawings, and original
prints, and I enjoyed making it. But, it was not the art that I had dreamed of
making when I first studied to become an artist. I had learned early on in my
career as an artist that if you wished to survive you had to earn a living, and
if you weren’t going into teaching, you had to produce something for which there
was a market. Being a naturalist, and having a passion for bird watching, I
painted and made etchings of birds and waterfowl. Weekends and holidays, to
satisfy the need to grow as an artist, we’d head off to Superior, Algonquin, or Killarney
Provincial Park to canoe, hike, and to sketch. We had many adventures and I produced many sketches that I promised to share and write about in my old
age. Perhaps, now is a good time to begin.
A Superior
Adventure
Vacationing
in mid October up on the north shores of Lake Superior is an invitation to a
bag of mixed weather. Dawn breaks and the showers that plagued us the previous
day begin to give way to overcast conditions and a cold north wind. Our room at
Superior Adventures Lodge near to Wawa, although comfortable, was never
designed to accommodate clients late into the season, and this morning it feels
cold and damp. There's no hurrying to meet the day. We linger in bed enjoying
the warmth of the down filled duvet until we were certain that the woodstove in
the kitchen had been stoked and coffee is ready.
Our plan for the day is to hike the trail from
Old Woman Bay up into the hills where, hopefully, I can sit for awhile and
complete a few sketches. Following morning coffee and a breakfast consisting of
second helpings of gorp we set about preparing for our hike. It's hard to know
just what to wear at this time of the year. Often times, despite the cold of
the morning, afternoons can become quite warm. Water, energy bars, painting
equipment, and rain jackets stored in our knapsacks we grabbed our walking
sticks, jump in the car, and take off down the road for Old Woman Bay.
There's no one in the parking lot
at Old Woman Bay. You can't blame anyone for delaying their trip into the park
early this morning. The wind off the lake is numbing cold. A streak of blue sky
on the horizon, however, holds promise that the weather might break and provide
favourable sketching conditions. We head out on the trail.
The
first half mile, or so, leads through a second growth forest beside a rushing
river. I'm tempted to go back and get the fishing rod and give it a try.
"Perhaps next time," I think to myself. The trail is wet and muddy.
Water drips off the overhanging branches as we brush by and soon the cold is
compounded by dampness, which seeps into our clothing. The muddy trail turns
into an ancient riverbed strewn with boulders and rocks forcing us to calculate
every step and slowing our pace. Another quarter mile, the trail narrows and we
head up. The trail up to the ridge is well worn and made slippery by the
previous day's rain. We're quickly winded, and stop often to catch our breath.
We push on to the top. It seems like forever, but we make it. The view is
awesome.
I've gone away to my private place. It's quiet here,
ever so quiet. In this place there are no troubles, nor worldly concerns.
Scientists debate about the existence of alternate universes and some even go
so far as to suggest that we live multiple lives in different dimensions. This
must be true for in this moment I've become a witness to the world that exists
before me. Unconsciously I mix paint and make marks on a piece of paper
creating a memory of my being here.
Sandy rooting through the knapsack distracts me. I've
been in my far away place for almost two hours. It's lunchtime. My butt is
numb. My legs are cramped and I can hardly stand proving that there exists no
such thing as a comfortable rock. I've managed several sketches. It's time for
a break. We sit on the rocky ledge high above the forest floor eating our lunch
and enjoying the warmth of the late autumn afternoon sun. I'm fascinated by the
light and shadow show being played out on the forest floor caused by clouds
scurrying through the sky, hurried along by a stiff northern breeze. I'm
reminded of a book dealing with the life and times of Franklin Carmichael, the
Group of Seven artist, entitled "Light and Shadow". Carmichael was
fascinated by the shifting shadows on the La Cloche Hills. For the plein air
artist the shifting shadows can be a nightmare as the landscape that they're
attempting to capture is constantly changing.
Lunch finished we pack up and begin the long trek
back to the trailhead. We continue along the ridge and come out on a lookout
over Old Woman Bay. It's quite spectacular and although the afternoon is racing
along I have to stop and make a sketch.
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