A sketch is a sketch, is a sketch. It’s an idea, a thought. Expressed the sketch represents possibility. Unexpressed it is lost.
Sketching, or drawing, from nature teaches one to see.
A photograph deals with reflected light that more often than not records shadow
filled with mystery. A sketch made while exposed to the elements is remembered
forever. A photograph becomes but a blurred memory, a jumble of thoughts
difficult to pull together.
The
downside of sketching from nature is the elements, rain, snow, heat and cold.
Then, there are the critters and creatures. Over the years we’ve had our run in
with many critters and creatures from biting insects to moose and bears. The
upside is we’ve used the excuse to sketch as a reason to travel. We’ve been
privileged to travel throughout Canada and the American Southwest in the name
of art. Thinking backwards I’ve come to believe that having been able to travel
to sketch was, perhaps, the most wonderful thing to come out of 30 odd years of
working at becoming an artist. As for my sketches they're all very precious. Good, bad, or indifferent,
each one a memory with a story to tell.
June 21, 1998: A
wonderful day sketching in Algonquin Provincial Park. -
It
was a beautiful day in the Park albeit very warm. The temperature was around 30
degrees Celsius. When we arrived at Opeongo Lake I debated, because it was so
hot, whether I would sketch or not. Having driven so far I decided that I must
do at least one sketch. I chose a place in the shade. One sketch led to another
and despite the heat, black flies, and Whiteface wasps that continued to land
on my sketches and the ants that crawled up my pant legs I persisted. Later
these sketches would help to complete a large painting, as well as to serve to
help me to vividly remember my day of sketching at Opeongo Lake.
Opeongo Lake - Algonquin Provincial Park Pen & Ink Sketch 1998 |
Opeongo Lake - Algonquin Provincial Park Watercolour Sketch 1998 |
Opeongo Lake - Algonquin Provincial Park Watercolour Sketch 1998 |
Opeongo Lake - Algonquin Provincial Park Watercolour Painting 1999 |
October 1999 - Six Mile Lake Sketches - David Milne
Midland, Ontario, is known as the gateway to the 30,000 islands of Georgian Bay and in
years gone by was frequented by the likes of Franz Johnson and A.Y. Jackson,
founding members of the famous Canadian Group of Seven painters. Another
artist, David Milne, a contemporary of the Group of Seven, isolated himself at
Six Mile Lake located at the northeast corner of Simcoe County near to Midland. I was a mere
boy when these artists were active. It was not until mid career as an artist
that I discovered these famous painters. They inspired me with their
accomplishments and tenacity. I’ve since visited many of the places where they
stopped to paint and made my own sketches and paintings.
On
a cold October day in 1999 I traveled up to Six Mile Lake. The lake was quiet.
All the summer cottagers had long since departed. In David Milne’s time there
were no cottages on the lake. He built a crude cabin and lived there in
isolation plotting his destiny. He’d pick up supplies from Big Chute a few
miles away then paddle his canoe up Little Go Home Bay to a small outlet and
portage his canoe into Six Mile Lake. A small dam controls the water to the
outlet these days. While I sketched I tried to envision Milne paddling alone in
his canoe stocked with provisions.
Six Mile Lake - View from the control dam. Watercolour Sketch 1999 |
Milne's Portage - Pencil Sketch 1999 |
Milne's Portage - Watercolour Sketch 1999 |
Six Mile Lake Island Watercolour Sketch 1999 |
Six Mile Lake Island - Watercolour Painting 2000 |
Six Mile Lake Island - Graphite Drawing 1999 |
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